Media Kit

The Florida Orchestra has announced its 2026-2027 season, built around epic masterpieces paired with innovative American voices, bold experiences for all generations and the belief that meaningful live music should be accessible to everyone. 
 
The heart of the season lives in the classical Hough Family Foundation Masterworks series, where Music Director Michael Francis has curated 14 programs that each weave a story or reveal a deeper human connection. Francis — entering his 12th season — asks: What are the American voices shaping the next 250 years?
 
The Raymond James Pops series delivers large-scale, crowd-pleasing experiences with the power of a live orchestra, from The Beatles to John Williams to Bollywood. 

Press Materials

About The Florida Orchestra

Mission & History

The mission of The Florida Orchestra is to enrich the life of the Tampa Bay area as it inspires, entertains and educates a wide and diverse audience with the unique experience of live symphonic music, ensuring that future generations will continue to enjoy this legacy that so magnificently celebrates the human spirit.

The Florida Orchestra’s history is steeped in orchestral tradition from both sides of Tampa Bay. In the 1930s, Tampa already had a strong orchestra scene with a WPA orchestra, and by the mid 1940s, the Tampa Symphony Orchestra was born, although it would be renamed the Tampa Philharmonic in 1959. Similarly, across the bay in St. Petersburg, community and city orchestras had already formed by the mid-to-late 1940s, and in 1950, members of the Carreno Music Club formed the St. Petersburg Symphony.

Talks of the two orchestras merging began to surface in 1964. Instrumental in these talks were the conductors of the two orchestras, Alfredo Antonini of the Tampa Philharmonic and Thomas Briccetti of the St. Petersburg Symphony. An official intent of the merger was made on November 23, 1966, and on that day, representatives from both the Tampa Philharmonic and the St. Petersburg Symphony traveled by boat to the center of Tampa Bay, where they married the two institutions in a symbolic union and became the Florida Gulf Coast Symphony. The St. Petersburg Times, now known as the Tampa Bay Times, noted in an article on November 24, 1966, “The mood was one of pride for the entire Tampa Bay area, not one city over another.” The merger became official two years later, and the Florida Gulf Coast Symphony opened its first season on November 14, 1968, under the baton of 43-year-old Music Director Irwin Hoffman, who had previously guest conducted the Tampa Philharmonic. The program included Berlioz’ Overture to Benvenuto Cellini, Respighi’s Pines of Rome, and Shostakovich’s Symphony No. 5, Op. 47. That first season, the Florida Gulf Coast Symphony presented five concerts from November through April, performing each concert three times. The orchestra continued to perform as the Florida Gulf Coast Symphony until its name was changed to The Florida Orchestra in 1984.

Irwin Hoffman remained conductor until 1987, and during the 1988/89 season, Jahja Ling made his debut as music director to tremendous critical acclaim. Ling brought the orchestra into the international spotlight as he led them in the performance of the Star-Spangled Banner with Whitney Houston at Super Bowl XXV before a world-wide audience of 750 million. The Florida Orchestra made musical history as the first symphony orchestra to ever be invited to perform at a Super Bowl. The 2001/02 season marked Jahja Ling’s final season as music director of The Florida Orchestra, and in May of 2002, Stefan Sanderling was appointed music director. In the summer of 2012, Sanderling’s departure from The Florida Orchestra was announced, and in June 2014, The Florida Orchestra announced Michael Francis as its newest music director.

Recently, the orchestra has had a series of successes. In the fall of 2011, The Florida Orchestra launched a multi-year cultural exchange with the Cuban Institute of Music as well as its Accessibility Initiative, which effectively reduced ticket prices to all of its Masterworks and Pops concerts. In addition, the orchestra has announced a variety of partnerships and projects that further engage the orchestra with the Tampa Bay community, including a collaboration with the Tampa Bay Lightning to produce the team’s theme song, Be the Thunder. Another exciting accomplishment for the orchestra was the release of a CD on the Naxos label in the fall of 2012. Featuring music by Florida influenced classical composer Frederick Delius, the recording includes The Florida Orchestra, The Master Chorale of Tampa Bay, and baritone Leon Williams in a performance of Delius’ Sea Drift and Appalachia. In December of 2014, the orchestra released another CD, Holiday Pops Live!, on their label TFO Live.

The Florida Orchestra is recognized as Tampa Bay’s leading performing arts institution, the largest professional symphony orchestra in Florida, and one of the most vibrant and innovative orchestras in America. Through extraordinary musical performances, the orchestra inspires the people of Tampa Bay and serves as a leader and beacon for the musical arts throughout the state. Regardless of where performances occur, The Florida Orchestra is committed to serving the entire Tampa Bay area.

The Florida Orchestra performs nearly 100 concerts annually in the tri-city area of Tampa, Clearwater, and St. Petersburg. Concert series include Masterworks, Pops, matinees, rock concerts, free Pops in the Park concerts, and educational youth concerts.

Bios

Michael Francis, Music Director

Generously Sponsored by:
The Hough Family
The Jay B and Marsha Starkey Chair

Michael Francis has developed an international reputation for sharing the power of music through his conducting and engaging speaking.

Appointed Music Director of the Florida Orchestra in the fall of 2014, he is now entering his eleventh season with a contract extension through the 2029-30 season. His role in building transformative Community-Engagement initiatives has helped to grow the organization significantly. As Music Director of the Mainly Mozart Festival in San Diego since 2014 (with a contract renewal through the summer of 2028), Francis and Mainly Mozart have recently completed an ambitious multi-year exploration of Mozart’s life. Entering his seventh season, Francis continues as Chief Conductor of Deutsche Staatsphilharmonie Rheinland-Pfalz with a contract extension through 2029. Previously, he was Chief Conductor and Artistic Advisor of the Norrköping Symphony Orchestra from 2012-16.

Highlights include North American performances with the Cleveland Orchestra, the symphony orchestras of St. Louis, San Diego, Houston, Atlanta, Pittsburgh, Minnesota, Montreal, and the National Youth Orchestra of Canada. In Europe, he has conducted the Symphony Orchestra of the Bavarian Radio, the Berlin Radio Symphony Orchestra, Dresden Philharmonic, MDR Leipzig, the Orquesta Sinfónica de RTVE Madrid and the Mariinsky Orchestra, amongst others. In his home country, he has worked with the London Symphony, Royal Philharmonic, Philharmonia, BBC Philharmonic, BBC National Orchestra of Wales and the National Youth Orchestra of Scotland. In Asia, Maestro Francis has worked with the NHK Symphony, and the philharmonic orchestras of Hong Kong, Japan, Malaysia and Seoul.

Michael Francis has collaborated with notable soloists such as Lang Lang, Arcadi Volodos, Itzhak Perlman, Christian Tetzlaff, Vadim Gluzman, Anne-Sophie Mutter, Javier Perianes, Jamie Barton, Truls Mørk, Håkan Hardenberger, Maximilian Hornung, Miloš, Benjamin Grosvenor, Emanuel Ax, Ian Bostridge, James Ehnes, Sting and many others.

Alongside his extensive educational work with young musicians, Francis is passionate about sharing the hidden truths in music with audiences worldwide through his acclaimed podium talks. His “Inside The Music” series and pre-concert talks in Florida have greatly helped develop new audiences. Additionally, an exciting new series of ‘Keynote’ presentations with Staatsphilharmonie Rheinland-Pfalz was released on Naxos.

Francis’ discography includes a recently released cycle of Mahler’s re-orchestrations of Beethoven’s symphonies and overtures with Staatsphilharmonie on Capriccio and the Symphonic Poems of Augusta Holmés on CPO. Francis also conducted the Rachmaninov piano concertos with Valentina Lisitsa and the LSO on Decca and Rihm’s Lichtes Spiel with Anne-Sophie Mutter and the New York Philharmonic for DG.

A former double-bass player in the London Symphony Orchestra (LSO), Michael Francis came to prominence as a conductor in January of 2007, stepping in for Valery Gergiev and John Adams with the LSO

Chelsea Gallo, Resident Conductor

Underwritten by:
Suzette & Monroe Berkman
The R. K. Bailey Chair

Labeled a “rising star” within the conducting world (Associated Press), conductor Chelsea Gallo has been praised for her ability to “lead the orchestra with grace and fiery command” (Michigan Daily). Her conducting style has been described as “fully in control … stylish, skillful and attentive” (Dallas News).

For the 2025-2026 season, Gallo begins her third season as Resident Conductor of The Florida Orchestra (conducting over 50 performances), Principal Guest Conductor of the Orlando Philharmonic, and returns to the New York Philharmonic to serve as an Assistant Conductor. She is the recipient of a 2022 Sir Georg Solti Career Assistance Grant and was a 2022 Hart Conducting Fellow with the Dallas Opera. Most recently, Gallo recorded the premiere album of the music from Johanna Senfter with the Staatsphilharmonie Rheinland-Pfalz in Germany under the Capriccio label.

Upcoming debuts include engagements with the Los Angeles Philharmonic, Dayton Opera (Carmen), Noord Nederlands Orkest (The Netherlands), the Knoxville Symphony, Opera Tampa (Macbeth), Orquesta Filarmónica de Jalisco (Mexico), and the New Mexico Philharmonic. Gallo has conducted leading orchestras and opera companies including the Utah Symphony, Dallas Opera, Louisiana Philharmonic Orchestra, Detroit Symphony Orchestra, the North Carolina Symphony, Sarasota Orchestra, Virginia Symphony, Opera Orlando, Toledo Symphony, Hartford Opera, Missouri Symphony, Marigny Opera, Slovak Sinfonietta, Bozeman Symphony, the Sewanee Music Festival, Jackson Symphony, the Lancaster Symphony, and the Youngstown Symphony among others.

A passionate advocate for expanding classical music’s reach, Gallo has collaborated with a wide range of organizations and companies, including The Walt Disney Company, New York Yankees, NASA, and the Lincoln Motor Company. She describes her artistic mission as “a devotion to sharing the relevancy and humanity within classical music.”

With a unique affinity for science and music, Gallo has spearheaded interdisciplinary projects uniting both worlds. She has partnered with NASA, Lockheed Martin, the National Institute of Aerospace and the European Space Agency, and led recording projects for NASA’s Orion EFT-1 launch mission. Her ensemble became the official artistic partner for the Hubble Space Telescope’s 25th Anniversary Celebrations. She was recently invited by the University of Michigan’s Department of Nuclear Engineering to collaborate on a project exploring creativity in the hard sciences by drawing parallels between conducting an orchestra and managing a nuclear reactor.

A champion of living composers, Gallo conducted the Michigan premiere of Esa-Pekka Salonen’s Helix, the American premiere of Michael Gordon’s Bassoon Concerto, and the world premiere of the ballet A Streetcar Named Desire by Tucker Fuller. During the 2025-26 season, she will give the U.S. premiere of Thierry Caens’ Tribones Triple Trombone Concerto. Her opera credits include productions of Mozart’s Le Nozze di Figaro, Die Zauberflöte, and Don Giovanni, Britten’s A Midsummer Night’s Dream, Verdi’s La Traviata, Macbeth, and Falstaff, Bizet’s Carmen, Bernstein’s Candide and Shuying Li’s Who Married Star Husbands.

Gallo studied conducting in Vienna, Prague and Banská Štiavnica with Leoš Svárovský and the late Maksimilijan Cenčić. In Vienna, she also studied piano with Giorgi Latsabidze and violin with Barbara Gorzynska. She holds a Doctor of Musical Arts in Orchestral Conducting from the University of Michigan, where she studied under Kenneth Kiesler. Gallo has attended festivals and masterclasses with renowned conductors including Sir Simon Rattle and Daniel Barenboim.

Ignacio Barrón Viela, President & CEO

The Florida Orchestra welcomed President & CEO Ignacio Barrón Viela in August 2023. Born in Zaragoza, Spain, Ignacio has brought global experience as a musician and engineer to lead the state’s largest professional orchestra in a new era of growth in Tampa Bay. He is a classically trained cellist who has spent more than a decade performing in orchestras and managing music projects worldwide.

Ignacio is passionate about expanding orchestras’ musical offerings and community engagement programs that focus on the issues and ideas of human relevancy across all economic and social groups: “Live music is an incredible, transformative platform to uplift society and shape a better world.”

He came to TFO from the Reno Philharmonic in Nevada, where as president and CEO he helped expand its artistic offerings with a wide variety of events and concerts, including a semi-staged opera. Post-pandemic audiences consistently grew, sometimes exceeding pre-pandemic levels. During his tenure, the Reno Phil Youth Symphony Orchestra performed at the Kennedy Center in Washington, D.C. He also helped to develop a new, three-year vision and strategic plan that will enable the Reno Philharmonic to adopt progressive and practical initiatives for future development.

Before that, he was the executive director of the Billings Symphony in Montana for four years. He helped acquire the two largest single gifts in the organization’s 72-year history, a commercial building in downtown Billings that houses the Billings Symphony offices and brings additional revenue from retail tenants, and a seven-figure donation to sponsor the executive director’s position. He created key partnerships with local and national associations and helped double the symphony’s net worth and endowment.

While living and working in Dusseldorf, Germany, Ignacio was involved in managing orchestra tours in Europe with the Heinrich Heine Orchestra. Prior to his career in arts management, he worked seven years as a senior management consultant and project manager for two of the largest private investor-owned energy companies in the world. With projects in conventional power plants and renewable energy assets spanning across Europe, Asia, South America and the U.S., Ignacio specialized in operational excellence and performance management, skills that he brings to the orchestra field.

Ignacio holds a master’s degree in industrial engineering from the University of Zaragoza and an MBA from the University of Southern California (USC) Marshall School of Business, with an emphasis in arts leadership through the USC Thornton School of Music. In 2019, he was accepted to be one of only twelve orchestra professionals nationwide participating in the League of American Orchestras’ Emerging Leaders Program. In 2025, he was honored as one of the “40 Under 40” top leaders in Tampa Bay by the Tampa Bay Business Journal. In 2020, he was nominated as one of the “40 Under 40” most successful leaders in Montana, and in 2022 he was recognized with the Community Builder Award by the Downtown Billings Association.

In April 2025, Ignacio was honored to become an American citizen. He and his wife, Brianna, welcomed baby Julia to the family in January 2024. The family resides in St. Petersburg and enjoys exploring the beaches, discovering neighborhoods and learning from and engaging with people from all walks of life.

Photos For Use

Approved B-Roll (Right click on video and "Save Video As")

Playlist
10 Videos

To Join

If you would like to join our media list, please contact:

Kelly Smith
Chief Communications Officer
The Florida Orchestra
244 2nd Avenue North, Suite 420
St. Petersburg, FL 33701
Tel: 727.362.5448
Fax: 727.892.3338
Email: ksmith@floridaorchestra.org

As outlined in The Florida Orchestra’s Integrated Media Agreement, the basic parameters for video/audio coverage of The Florida Orchestra by members of the media are as follows:

24-Hour Advance Notice: Per the musicians’ contract, they must be notified at least 24 hours in advance that broadcast media may be covering a given rehearsal or concert.

Staff Escort: Members of media must be escorted by an orchestra staff member while covering an orchestra rehearsal or performance.

Recording: No more than 30 minutes of any service (rehearsal or concert performance) can be recorded.

Broadcasting:  The length of the broadcast news segment is, of course, determined by the media source; however, there are restrictions as to how many minutes of continuous music being performed by the orchestra can be featured.

To view our most recent news releases, click here.