Confession: I like contemporary classical music
As TFO’s Sarah Shellman practices her upcoming violin concerto, her husband dares to admit what few will: “I like contemporary classical music.” He makes his case, today on the TFO Blog.
As TFO’s Sarah Shellman practices her upcoming violin concerto, her husband dares to admit what few will: “I like contemporary classical music.” He makes his case, today on the TFO Blog.
Wishing you could hear TFO’s performance of The Planets again? Or how about Gershwin’s Rhapsody in Blue? You’re in luck! WSMR will be broadcasting 11 of our concerts starting March 28. Click thru for a complete schedule.
Sitting in the audience at The Planets last weekend, Joanne Biringer heard her set of orchestra bells ring out from TFO for the first time. The vintage bells she has played since she was 7 years old have found a new home.
World-class pianist Anne-Marie McDermott talks about what goes through her mind – or not – as she performs Mozart’s Piano Concerto No. 27 this weekend with TFO, including a bonus Inside the Music concert.
This TFO violinist’s house is filled with more cats than music. Find out why today on the TFO blog.
It’s easy to be entranced by soloist Joshua Roman in the Bates Cello Concerto. But if you hang out in the percussion section, it’s all about the cowbells and thumb pianos. Tuned, of course. See and hear what we found, today on the blog, with video clips.
“Classical rock star” Joshua Roman performs the Bates Cello Concerto, written just for him. What’s it like to work with a composer who’s alive? Today on the blog.
When beloved maestro Thomas Wilkins returned to conduct Gershwin this week, it was like coming home – and not just because he still lives in Tampa Bay. Read about the former TFO conductor and this weekend’s concerts on the blog.
On Nov. 9, 1938, the Nazis unleashed a wave of pogroms, state-sponsored terrorism, against the Jews in Germany and Austria. Within a few short hours, thousands of synagogues, Jewish businesses and homes were damaged or destroyed.
Composers often use the orchestra like a giant paintbrush, splashing colors across an imaginary canvas, evoking ideas and images through a bundle of instruments.