Ever since Oleg joined The Florida Orchestra in 1993, he has penciled sketches that capture the concerts he performs in. Most are caricatures that use a stroke of humor to portray the conductor, guest artist or a fellow musician.
About Kelly Smith
Kelly has gone from Miley Cyrus to Mozart. For 25 years, she was an editor in various roles at the Tampa Bay Times, most recently guiding features and entertainment coverage. Now she is TFO’s communications manager.
Entries by Kelly Smith
As Tampa Bay cheers on the Lightning in the Stanley Cup playoffs, we’ll be the only ones bringing it with […]
In classical music, it can be easy to overlook the influence of women. Beethoven! Mozart! Tchaikovsky! But now more than […]
Expecting a bit of a letdown after our grand 50th anniversary celebration? Don’t. Music Director Michael Francis has put an enormous amount of thought into programming every concert in our most wide-ranging season yet, which starts in the fall. “It’s our first chance to show where we’re going as an orchestra in our new era,” he said.
Classical music is thriving underground in St. Petersburg. On the second Monday of the month, local musicians get together to perform in Classical Revolution St. Pete, a night of straight-up, high-caliber chamber music in the Iberian Rooster’s basement lounge for whoever wants to listen. For free.
A little more than a week before rare performances of Janacek’s Sinfonietta, TFO Personnel Manager Perry Landmeyer was in a bit of a panic. The piece calls for 12 trumpet players, instead of the typical three or four. Suddenly, he was one short.
For Stuart Malina, Common Fanfare for an Uncommon Orchestra was uncommonly difficult to compose. In fact, it almost never happened at all.
In just one week, The Florida Orchestra performed for nearly 30,000 people — almost all for free. It was an exhilarating, exhausting run as musicians and staff, led by Music Director Michael Francis, traveled to Pasco County, Tampa and St. Petersburg for hospital, youth, side-by-side and park concerts.