Flute/piccolo player Sandra del Cid-Davies has a way of getting to the heart of her 5 concert picks for the season: “The Beethoven will triumph and the Rachmaninoff will sweep audiences off their feet.”
Jeffrey Stephenson’s top concert picks are two stellar programs. Tip: If you hear someone singing from the orchestra, look at the English horn player.
I can easily say I’m most excited about the Masterworks concert in which I’m soloing on Anna Clyne’s The Seamstress. Clyne’s music is expansive and haunting in general.
My first concert as a principal timpanist was with the Anchorage Symphony in February 1970 celebrating the bicentennial of Beethoven’s birth. The program in 1970 was Egmont Overture and the Fifth and Seventh symphonies, a program that would challenge me now.
The Florida Orchestra musicians will play more than 130 concerts in the 2018/19 season. That’s hundreds of works and thousands of pages of music. Which ones are they most looking forward to?
Good news: We are adding to our stellar conducting team. The Florida Orchestra has named Daniel Black as assistant conductor, a guiding force for our growing lineup of community concerts. He joins the orchestra in the fall for the 2018-19 season.
For the second year in a row, The Florida Orchestra has set a record for ticket sales, with 125,700 paid seats in the 2017-18 season. That’s two consecutive seasons above the 100,000 mark. Add in free tickets and community concert crowds, and the count climbs to more than 215,000. Not bad for our 50th birthday party. Thank you, Tampa Bay!
Avid TFO fan and supporter Diane Fair has always loved music: “It affects me. I can hear a particular piece and become emotional remembering happy and sad times.” Find out more about Diane and why she loves TFO today on the blog.
For David Browne, winning The Florida Orchestra’s Student Composition Contest was a dream come true. “Shattered Clock Fanfare is a musical depiction of a recurring dream I had as a child wherein I was forever lost in a universe where time never existed,” said Browne, 22, in his artist statement on the short work, which premieres on the Beethoven’s Pastoral Symphony concert May 18-20.
Ever since Oleg joined The Florida Orchestra in 1993, he has penciled sketches that capture the concerts he performs in. Most are caricatures that use a stroke of humor to portray the conductor, guest artist or a fellow musician.